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Culture of Iran
To best understand Iran and its people, one must first attempt to acquire an understanding of its culture. It is in the study of this area where the Iranian identity optimally expresses itself. Hence the first sentence of prominent Iranologist Richard Nelson Frye's latest book on Iran reads:
"Iran's glory has always been its culture."
Iranians were not only open to other cultures, but freely adapted to all they found useful. Thus an eclectic cultural elasticity has been said to be one of the key defining characteristics of the Persian spirit and a clue to its historic longevity. Furthermore, Iran's culture has manifested itself in several facets throughout the history of Iran as well as that of Central Asia.
The article uses the words Persian and Iranian interchangeably, sometimes referring to the language and its speakers, and other times referring to the name of pre-20th century Iran, a nomenclature which survives from western explorers and orientalists. Both are not the same however, and the cultures of the people of Greater Persia is the focus of this article.
Iranian art has gone through numerous phases of evolution. The unique aesthetics of Iran is evident from the Achaemenid reliefs in Persepolis to the mosaic paintings of Bishapur. The Islamic era drastically brought changes to the styles and practice of the arts, each dynasty with its own particular foci. The Qajarid era was the last stage of classical Persian art, before modernism was imported and suffused into elements of traditionalist schools of aesthetics.
تحقیق درمورد Culture of Iran
